Live At The St. Bavo by Jacques Van Oortmerssen

Various composers

Jacques Van Oortmerssen

Live At The St. Bavo

Price: € 18.95
Format: CD
Label: Challenge Classics
UPC: 0608917216226
Catnr: CC 72162
Release date: 05 June 2006
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Label
Challenge Classics

UPC
0608917216226

Catalogue number
CC 72162

Release date
05 June 2006

Album

Artist(s)

Composer(s)

About the album

On this album Jacques van Oortmerssen plays organ pieces by Johann Sebastian Bach, Wolfgang Amadeus Mozart, Felix Mendelssohn Bartholdy, Marcel Dupré and himself. The pieces were recorded during a live recital at the Chr. Müller organ (1738) of the St. Bavo church in Haarlem.

Bijzondere orgelstukken op een beroemd orgel
Op dit album speelt Jacques van Oortmerssen orgelstukken van Johann Sebastian Bach, Wolfgang Amadeus Mozart, Felix Mendelssohn-Bartholdy, Marcel Dupré en eigen stukken. De muziek is opgenomen tijdens een live concert in de Sint-Bavokerk in Haarlem, waar Van Oortmerssen speelde op het wereldberoemde Christian Müller orgel (1738). Dit is een bijzonder album, prachtig om naar te luisteren.

De Duits-Nederlandse Christian Müller (1690-1763) gold in de 18e eeuw als een van de voornaamste orgelbouwers in Nederland. Hij was niet de enige in zijn familie. Ook zijn broers werkten als orgelbouwer in ons land. Müller werd in Duitsland geboren, is vermoedelijk rond z'n 25ste naar Nederland vertrokken en werd daar meesterknecht bij de bekende orgelmaker Cornelis Hoornbeeck in Amsterdam. Toen hij een paar jaar later, zijn eigen werkplaats had, kwam het grote werk naar hem toe en werd hij betrokken bij bouw en herbouw van orgels in bekende kerken.
Wereldberoemd werd Christian door het bouwen van een nieuw monumentaal orgel voor de Sint Bavokerk in Haarlem. De kerk waarin deze uitvoering van Jacques Oortmerssen is opgenomen. Bij de oplevering van het orgel in 1738, was dit orgel het grootste ter wereld. Veel beroemde musici bespeelden het orgel, onder wie Mendelssohn, Händel en de tienjarige Mozart, die er in 1766 op speelde. Het orgel werd een aantal keren aangepast in de 19e en 20e eeuw maar deze veranderingen werden weer ongedaan gemaakt in de renovatie tussen 1959 en 1961.

De Rotterdammer, Jacques van Oortmerssen (1950-2015), behaalde zijn solistendiploma voor orgel én piano aan het Rotterdams Conservatorium. Hij was hoofdvakdocent orgel aan het Sweelinck Conservatorium in Amsterdam. Én vaste gastdocent aan instituten in Göteborg, Lyon en Helsinki. Van Oortmerssen bouwde een grote internationale reputatie op als pedagoog en was overal ter wereld een veelgevraagd gastdocent, maar ook solist. In 1982 volgde hij Gustav Leonhardt op als 'Organiste-Titulaire' van de Waalse kerk in Amsterdam. Ook daar bespeelde Jacques een Christian Müller orgel (1734). Zijn vertolkingen van Bach en vroege muziek verwierven hem wijdverbreide roem. Hij realiseerde veel opnamen en componeerde ook zelf, zoals in dit album te beluisteren valt.

Artist(s)

Jacques van Oortmerssen (organ)

Jacques van Oortmerssen (Rotterdam, the Netherlands, 1950) studied at the Conservatory of Rotterdam, where he completed his soloist diplomas for both the organ, as a student of André Verwoerd, and for piano as a student of Elly Salomé. Thereafter he undertook postgraduate study with Marie-Claire Alain in Paris (France). He was awarded the Prix d’ Excellence in 1976. In 1977 he won first prize in the National Improvisation Competition in Bolsward (NL) and was runner-up in the Tournemire Prize in St Albans (England). He has been professor of organ at the Conservatory of Amsterdam (NL) since 1979, where his organ class attracts students from many countries. In 1982 he succeeded Gustav Leonhardt as Organiste Titulaire of the Waalse kerk in Amsterdam, where he plays the famous 1734...

Jacques van Oortmerssen (Rotterdam, the Netherlands, 1950) studied at the Conservatory of Rotterdam, where he completed his soloist diplomas for both the organ, as a student of André Verwoerd, and for piano as a student of Elly Salomé. Thereafter he undertook postgraduate study with Marie-Claire Alain in Paris (France). He was awarded the Prix d’ Excellence in 1976.
In 1977 he won first prize in the National Improvisation Competition in Bolsward (NL) and was runner-up in the Tournemire Prize in St Albans (England). He has been professor of organ at the Conservatory of Amsterdam (NL) since 1979, where his organ class attracts students from many countries. In 1982 he succeeded Gustav Leonhardt as Organiste Titulaire of the Waalse kerk in Amsterdam, where he plays the famous 1734 Christian Müller organ. Jacques van Oortmerssen enjoys an international reputation as both soloist and pedagogue, in which context he is regularly invited to teach at Universities and Conservatories throughout the world.
He has been leader of the Falun Organ Academy in Falun (Sweden) for many years since 1984, was Betts Fellow in Organ Studies at the University of Oxford (England) during the 1993-1994 academic year and Associate Professor at the Sibelius Academy in Helsinki (Finland) during the 1994-1995 academic year. He will receive an honorary doctorate at this academy in June 2012.
Jacques van Oortmerssen was a regular guest professor of organ at the Lyon Conservatory (France) between 1999 and 2004, and he has also been a guest professor at the Royal Northern College of Music in Manchester (England) and during many years at the Conservatory in Göteborg (Sweden). In addition he has been a member of the advisory board of the Göteborg Organ Art Centre (GOArt) at the University of Gothenburg. As soloist Jacques van Oortmerssen regularly performs throughout Europe, North and South America, Africa, Japan and South Korea and is frequently invited at prestigious international festivals sucu as the BBC Proms in London (England), the Prague (Czech Republic) Spring Festival, the Bach Festival in Leipzig (Germany) and the City of London Festival. He is well known for his interpretations of early music and in particular of music of J.S. Bach.
Jacques van Oortmerssen is also active as a composer and conductor.
As a recording artist, van Oortmerssen has featured on more than 50 CD releases for prominent international labels, as well as broadcasting on both radio and television.
Among the recordings he made are the complete works of C.P.E. Bach and Johannes Brahms as well as a series of records of J.S. Bach’s organ music, already having released nine volumes.
Jacques van Oortmerssen has been actively involved with the art of organ building in the broadest sense since 1970. Through his international career he intensively used and examined many organs, both historical and new, all over the world. As an organ expert he guides both restorations of historical instruments and constructions of new instruments.
Jacques van Oortmerssen is one of the inspirators of the Göteborg Organ Art Centre (GOArt) at the University of Gothenburg. This centre is committed to improve the quality of the art of organ building, both in restoring historic instruments and building new instruments, having built up a huge international reputation in doing so. Therefore interdisciplinary research is being conducted here in which musical instrument builders, musicians, organologists, technologists and musicologists cooperate on an international level. Thus the Chalmers University of Technology in Gothenburg carries out important research on different aspects of historical organ building in the field of metallurgy, thermo-dynamics and acoustics.
As a result of these efforts two large projects have been realized, of which the North German Organ Research Project particularly caused an international stir.
Jacques van Oortmerssen believes the current profile of ‘omniscient advisor’ to now be obsolete. The complexity of restoring organs and the diversity of the historic patrimony demand a different approach in which the organ advisor will increasingly develop into a leader of a team of specialists.

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Composer(s)

Jacques van Oortmerssen

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Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart, whose actual name is Joannes Chrysotomus Wolfgangus Theophilus Mozart, was a composer, pianist, violinist and conductor from the classical period, born in Salzburg. Mozart was a child prodigy. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. Along with Johann Sebastian Bach and Ludwig van Beethoven, Mozart is considered to be one of the most influential composers of all of music's history. Within the classical tradition, he was able to develop new musical concepts which left an everlasting impression on all the composers that came after him. Together with Joseph Haydn and Ludwig van Beethoven he is part of the First Viennese School. At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. From 1763 he traveled with his family through all of Europe for three years and from 1769 he traveled to Italy and France with his father Leopold after which he took residence in Paris. On July 3rd, 1778, his mother passed away and after a short stay in Munich with the Weber family, his father urged him to return to Salzburg, where he was once again hired by the Bishop. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death.

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Felix Mendelssohn

Jakob Ludwig Felix Mendelssohn Bartholdy born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn is often compared to Mozart. Both of them were child prodigies, both had a talented sister and they both died at a young age. Mendelssohn, who as a child also painted wrote poetry, was born in small family which converted to christianity from judaism. As a composer he preferred looking back, rather than forward: his main examples were Bach, Handel and Mozart. It was Mendelssohn who retrieved Bach from oblivion and pushed for a revival of his music, which still lasts today. One century after its premier, Mendelsson performed the St Matthew Passion for the second...

Jakob Ludwig Felix Mendelssohn Bartholdy born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period.

Mendelssohn is often compared to Mozart. Both of them were child prodigies, both had a talented sister and they both died at a young age. Mendelssohn, who as a child also painted wrote poetry, was born in small family which converted to christianity from judaism. As a composer he preferred looking back, rather than forward: his main examples were Bach, Handel and Mozart. It was Mendelssohn who retrieved Bach from oblivion and pushed for a revival of his music, which still lasts today. One century after its premier, Mendelsson performed the St Matthew Passion for the second time ever, in 1829.

Three years, earlier, on his 17th, he had already composed his masterfully overture A midsummer night's dream op. 21, based on Shakespeare's play. Today, it is still considered as one of the absolute masterpieces in all of the orchestra reperoire. His Violin Concerto op. 64 belongs to the most beautiful works of the 19th century as well. During his travels through Europe, he wrote his brilliant Italian Symphony, Scottish Symphony and the overture The Hebrides.

Although Mendelssohn had a prosperous career, his weak physique made him emotionally vulnerable. The death of his favourite sister Fanny became fatal: Mendelssohn died in the same year, at the age of 38.

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Johann Sebastian Bach

Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth. Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.

Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.

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